I recently watched this 2001 movie Enemy at the Gates. The film is based on a true story of a Russian sniper Vassili Zaitsev's fight against the German army during the siege of Stalingrad. The movie begins with a very sombre note of a under equipped Soviet army getting battered by the better equipped Nazi forces.
The main reason why I am totally impressed by this movie is the way in which a relatively unknown soldier is made into a national phenomenon and his name is deified to inculcate a sense of national pride and global respect. Vassili Zaitsev is a normal soldier fighting for his country like millions of others across the world. But by making a movie and highlighting the story of achievements in an exemplary movie format he has been made a phenomenon.
I wish our Indian film makers would learn from hollywood about the type of movies to be made. Instead of sticking to the stupid love-sex-violence formula which don't provide any intellectual stimulation, Indian film makers should start thinking about making movies which create a sense of national pride, patriotism and a sense of the Indian identity among its viewers who are primarily the uneducated and undereducated masses.
Plot Summary
The initial scene is specially scary when we see groups of young Soviet recruits being pushed into the battle. They have one rifle for two men and an officer is screaming on the megaphone: "When the one with the rifle falls, the one behind picks up the rifle and fights." The motivational speeches work and unarmed and under armed soldiers rush into a confrontation with the third reich, knowing well that they are facing certain death. If they advance the enemy bullet is likely to get them and if they retreat their own officers will kill them as deserters.
Vassili Zaitsev played by Jude Law is one of the soldiers who displays exemplary marksmanship and kills five German soldiers with as many bullets. This feat gets noticed by Political officer Danilov (Joseph Fiennes) who writes about Vassili in the army newspaper and thus begins their journey to fame. Vassili goes ahead daily killing German officers and virtually creates panic among the army of the Third Reich. Not to be out done the Nazi army calls in their best sniper Major Konig (Ed Harris) to eliminate Vassili. At this point the story takes a turn and becomes a cat and mouse game between the two snipers leading to one triumphing over the other.
There is a little love triangle between Jude Law, Joseph Fiennes and Rachel Weisz which leads to some complications in the story. Jude Law plays the central character Vassili and Rachel Weisz plays his lover Tania, also a Russian soldier. Their stellar performances are very efficiently supported by Ed Harris who plays Major Konig (German sniper) and Joseph Fiennes (Political officer Danilov).
Wednesday, October 28, 2009
Friday, October 23, 2009
Movie Review: The Mini Skirt Mob
Story of a Manipulative Woman and Gullible Men
If you want to see to what extent a spurned female would go to take revenge on her former lover and his present partner then this movie is a much watch. The movie tells the story of Shayne, a glamorous, manipulative and sexy woman, who is head of a female motorcycle gang known as The Mini Skirt Mob. Shane and Jeff, a rodeo champion are former lovers. Trouble starts when Jeff decides to retire from rodeo, get married and settle down as a rancher.
Though outwardly Shane says that it is all over between her and Jeff, inside she is one angry and jealous woman. She wants to make life for Jeff and his new bride miserable and hence gathers up her motorcycle gang which includes former friends of Jeff, Lon and Edie (Shayne's sister), LG and others and follows Jeff's trailer as he tries to get out and spend a quiet moment with his wife.
What follows is 80 minutes of terror for the newly married couple and merriment for the viewers. The stand off ends with the death of every one of them except Jeff and his wife. It is surprising to note that the Hero (Jeff played by Jeremy Slate) has pretty much no role. He is portrayed as a gutless coward who seems to always try to avoid confrontation with his former girlfriend and her mob. I would say the movie is all about how Shayne plots trouble and manipulates the men in her gang like Lon to do her dirty work. It is worth watching once if you don't have anything to do... oh! yes it is available free on Youtube... I wouldn't pay to watch this movie....
If you want to see to what extent a spurned female would go to take revenge on her former lover and his present partner then this movie is a much watch. The movie tells the story of Shayne, a glamorous, manipulative and sexy woman, who is head of a female motorcycle gang known as The Mini Skirt Mob. Shane and Jeff, a rodeo champion are former lovers. Trouble starts when Jeff decides to retire from rodeo, get married and settle down as a rancher.
Though outwardly Shane says that it is all over between her and Jeff, inside she is one angry and jealous woman. She wants to make life for Jeff and his new bride miserable and hence gathers up her motorcycle gang which includes former friends of Jeff, Lon and Edie (Shayne's sister), LG and others and follows Jeff's trailer as he tries to get out and spend a quiet moment with his wife.
What follows is 80 minutes of terror for the newly married couple and merriment for the viewers. The stand off ends with the death of every one of them except Jeff and his wife. It is surprising to note that the Hero (Jeff played by Jeremy Slate) has pretty much no role. He is portrayed as a gutless coward who seems to always try to avoid confrontation with his former girlfriend and her mob. I would say the movie is all about how Shayne plots trouble and manipulates the men in her gang like Lon to do her dirty work. It is worth watching once if you don't have anything to do... oh! yes it is available free on Youtube... I wouldn't pay to watch this movie....
Thursday, October 22, 2009
Movie Review: Sur - A Stupid Musical
I recently watched this Hindi Movie Sur - The melody of life starring singer Lucky Ali and other non-descript actors. The movie was supposed to be a romantic musical drama but failed miserably in the box office when it was released in 2002. I had liked one song in that movie when it was released and thought about watching it but never got down to going to the theatres for this flic. Now after wasting three hours in front of the idiot box watching this boring and quite stupid movie I am glad I didn't waste money and time to go to the theatres to watch this.
Anyway the movie features Lucky Ali as renowned singer Vikramaditya Singh (note the name - Vikramaditya - one of the most honorable Hindu kings in Indian history) who brings Tina Marie from Goa to nurture her talent and make her a great musician. In the school there is a student Aqib who is always ridiculing Tina's humble beginnings.
Over a period of time Vikramaditya trains Tina and ensures her trasnformation into a brilliant vocalist and talented music composer. But deep within Vikramaditya is jealous of her talent. Hence he starts snubbing her and insulting her at every opportunity and even steals one of her compositions and produces an audiotape which outsells his own previous ones.
The people who know the truth, Aqib and Tina are totally devastated by his actions. An angry Aqib quits the school and a devastated Tina returns home and decides to give up everything and become a nun. Meanwhile a guilt-ridden Vikramaditya hits bottle. His assistant Divya makes him realize his folly and he heads out in search of Tina with a vow of making her a star. He finds her in a convent and begs and pleads with her to sing with him again. Finally she relents and a few minutes before the program, Vikramaditya disappears, leaving the entire stage for Tina, who delivers an enthralling performance and wins everybody's hearts. Vikramaditya returns to his school humbled and continues teaching and mentoring young students. Tina goes on to become a great musical phenomenon.
Performances of all artists/ actors lack maturity and professionalism. Some of the songs are good, but apart from that the movie is completely passable.
Now if the movie is so bad why am I writing about it here. I was just wondering about the nomenclature of the artists in this movie.
Vikramaditya, the jealous, under-talented teacher who steals his students composition is named after one of the most honorable kings in India's history. Vikramaditya is known for the justice and fairness with which he ruled India.
Tina Marie, a Christian, is the highly-talented youngster who is mentored by the former. In reality it is the British (Christians) who stole everything from India.
Aqib, a muslim fights for justice and getting Tina her due. Quite surprising isn't it....
I wonder if the names were chosen purposefully or if it were just an accident? Only the director can answer this question...
Anyway the movie features Lucky Ali as renowned singer Vikramaditya Singh (note the name - Vikramaditya - one of the most honorable Hindu kings in Indian history) who brings Tina Marie from Goa to nurture her talent and make her a great musician. In the school there is a student Aqib who is always ridiculing Tina's humble beginnings.
Over a period of time Vikramaditya trains Tina and ensures her trasnformation into a brilliant vocalist and talented music composer. But deep within Vikramaditya is jealous of her talent. Hence he starts snubbing her and insulting her at every opportunity and even steals one of her compositions and produces an audiotape which outsells his own previous ones.
The people who know the truth, Aqib and Tina are totally devastated by his actions. An angry Aqib quits the school and a devastated Tina returns home and decides to give up everything and become a nun. Meanwhile a guilt-ridden Vikramaditya hits bottle. His assistant Divya makes him realize his folly and he heads out in search of Tina with a vow of making her a star. He finds her in a convent and begs and pleads with her to sing with him again. Finally she relents and a few minutes before the program, Vikramaditya disappears, leaving the entire stage for Tina, who delivers an enthralling performance and wins everybody's hearts. Vikramaditya returns to his school humbled and continues teaching and mentoring young students. Tina goes on to become a great musical phenomenon.
Performances of all artists/ actors lack maturity and professionalism. Some of the songs are good, but apart from that the movie is completely passable.
Now if the movie is so bad why am I writing about it here. I was just wondering about the nomenclature of the artists in this movie.
Vikramaditya, the jealous, under-talented teacher who steals his students composition is named after one of the most honorable kings in India's history. Vikramaditya is known for the justice and fairness with which he ruled India.
Tina Marie, a Christian, is the highly-talented youngster who is mentored by the former. In reality it is the British (Christians) who stole everything from India.
Aqib, a muslim fights for justice and getting Tina her due. Quite surprising isn't it....
I wonder if the names were chosen purposefully or if it were just an accident? Only the director can answer this question...
Wednesday, October 21, 2009
Movie Review: Gangs of New York
The United States of America, perceived as the land of unlimited opportunities, heaven on earth, land of ultimate freedom, a place where wealth can be made, the world's most powerful nation, etc... But like every other nation in the world, it has its own share of slums, underworld gangs, thugs, crooks and prostitutes. This murky underbelly is carefully hidden away under the towering sky scrapers and grandiose buildings.
What was it to live in this land of freedom and opportunity a century and half ago? This is what the film Gangs of New York attempts to re-create and it does very successfully. Set in 1846 the movie stars Cameron Diaz, Leonardo DiCaprio, Daniel Day-Lewis and others. The story is pretty historical as it is a movie and there is a substantial amount of reality in this according to a National Geographic study.
The movie starts off in the year 1846 with the protagonist Leonardo DiCaprio getting released from the prison and returning to the neighborhood in Manhattan where he was born and grew up. As he approaches the five points neighborhood, DiCaprio is witness to hordes of Irish immigrants landing into the US, in a bid to escape sure starvation due to the Potato Famine and of course persecution from the British Crown and nobility. But the original settlers (who call themselves "Natives") don't want new immigrants and they are standing at the docks yelling humiliating abuses at the immigrants.
DiCaprio, himself an Irish immigrant-settler and has seen his father being murdered in cold blood by Bill the Butcher, the undisputed king of underworld in New York. Young DiCaprio is thirsting for revenge and his target is Bill the Butcher. DiCaprio starts off being a small time thief and gets into the Butcher's brotherhood of thugs. In his life of crime he tangles with Cameron Diaz who is another petty thief and pick pocket in the same gang. Love blossoms between the two much to the angst of DiCaprio's best friend, who reveals the former's true identity to Bill the Butcher.
DiCaprio's first attempt to kill Bill the Butcher fails and he is thoroughly beaten up and knifed. In retaliation DiCaprio decides to start his own gang of Irish settlers and wrest control of Five Points from the original English settlers (Natives). This coincides with the American civil war era when Irish immigrants were ordered to get drafted into the army to fight the southern states against slavery. In frustration the immigrants rebel and riot and of course there is the clash of gangs in which Irish emerge victorious.
The Gangs of New York is a brilliantly made movie and performances of all the stars are captivating and cinematography is hypnotic. It has a few subtle lessons about American history, social equations and immigration. The original British settlers who landed in the US and started killing native Americans and taking over their lands were intolerant towards Irish immigrants in the 19th century, now a substantial section of the white population of the US hates increased influx of Indian technology workers. Things are pretty much the same: American's hate immigrants, especially those whom they think are taking their jobs.
Another subtle reinforcement that the White people try to make is that America belongs to them and not to the native Americans who were here thousands of years before the settlers came in. It is common for people of color in the US to be referred to as "Asian Americans", "African Americans", "Indian Americans" but to themselves they say "Americans" implying that the country belongs to them. This movie in which the original settlers call themselves "Natives" is one such attempt. To understand these messages one must watch The Gangs of New York.
What was it to live in this land of freedom and opportunity a century and half ago? This is what the film Gangs of New York attempts to re-create and it does very successfully. Set in 1846 the movie stars Cameron Diaz, Leonardo DiCaprio, Daniel Day-Lewis and others. The story is pretty historical as it is a movie and there is a substantial amount of reality in this according to a National Geographic study.
The movie starts off in the year 1846 with the protagonist Leonardo DiCaprio getting released from the prison and returning to the neighborhood in Manhattan where he was born and grew up. As he approaches the five points neighborhood, DiCaprio is witness to hordes of Irish immigrants landing into the US, in a bid to escape sure starvation due to the Potato Famine and of course persecution from the British Crown and nobility. But the original settlers (who call themselves "Natives") don't want new immigrants and they are standing at the docks yelling humiliating abuses at the immigrants.
DiCaprio, himself an Irish immigrant-settler and has seen his father being murdered in cold blood by Bill the Butcher, the undisputed king of underworld in New York. Young DiCaprio is thirsting for revenge and his target is Bill the Butcher. DiCaprio starts off being a small time thief and gets into the Butcher's brotherhood of thugs. In his life of crime he tangles with Cameron Diaz who is another petty thief and pick pocket in the same gang. Love blossoms between the two much to the angst of DiCaprio's best friend, who reveals the former's true identity to Bill the Butcher.
DiCaprio's first attempt to kill Bill the Butcher fails and he is thoroughly beaten up and knifed. In retaliation DiCaprio decides to start his own gang of Irish settlers and wrest control of Five Points from the original English settlers (Natives). This coincides with the American civil war era when Irish immigrants were ordered to get drafted into the army to fight the southern states against slavery. In frustration the immigrants rebel and riot and of course there is the clash of gangs in which Irish emerge victorious.
The Gangs of New York is a brilliantly made movie and performances of all the stars are captivating and cinematography is hypnotic. It has a few subtle lessons about American history, social equations and immigration. The original British settlers who landed in the US and started killing native Americans and taking over their lands were intolerant towards Irish immigrants in the 19th century, now a substantial section of the white population of the US hates increased influx of Indian technology workers. Things are pretty much the same: American's hate immigrants, especially those whom they think are taking their jobs.
Another subtle reinforcement that the White people try to make is that America belongs to them and not to the native Americans who were here thousands of years before the settlers came in. It is common for people of color in the US to be referred to as "Asian Americans", "African Americans", "Indian Americans" but to themselves they say "Americans" implying that the country belongs to them. This movie in which the original settlers call themselves "Natives" is one such attempt. To understand these messages one must watch The Gangs of New York.
Tuesday, October 20, 2009
Movie Review: The Last Confederate
Praiseworthy Effort!!
One thing about Europeans and Euro-Americans (White people in the US) that continues to leave me awed is their ability to take up even the most trivial incident and tell a hugely successful story which will subtly enhance their image in front of the world. The Last Confederate is a movie which showcases the true story of American Civil War Hero Robert Adams is a similar effort.
The movie is set in a period just before the start of the American Civil War and narrates the story of the life of Robert Adams, during the civil war years. The story portrays the passion, courage and love of the protagonist for his land, people and way of life. Robert is a southern planter who enjoys the good life, served by slaves, meandering from one party to another, supervising agriculture, riding fine horses, etc. He wants to continue leading the same life like the greater part of the southern white population. He falls in love with beautiful Eveline, a teacher from the North (Pennsylvania) and wants to marry her.
But with the federal government abolishing slavery the southern states decide to secede which leads to the Civil War. Robert Adams passionate about his land, lifestyle and people decides to enter into the fray and is recruited as captain of the Confederate forces. During the course of the war he is captured and imprisoned, but manages to escape and reunite with his love for a brief period. He reenters the battles and fights till the end of the war and emerges as the only surviving confederate soldier (at least according to the movie), thanks to the pity of a Union soldier who just fires in the air and lets him go.
If one were to watch the movie without bothering about any historical knowledge/ perspective, then this is a brilliant story and one can't help but become a great admirer of Robert Adams. But I am a big time skeptic, so when I watch any movie I examine the story, narration and characters with an array of lenses. Ideologically speaking this movie is a sham, for one thing the makers of this movie are glorifying a man who fought for slavery. What can be a bigger insult to democracy and equality than this? Then what is great about Robert Adams? He fought for Confederates to protect his land, which his fore-fathers and millions of other white people illegally, inhumanly and unethically usurped from native American tribes. He fought to protect his family and to have the freedom to continue to lead the same way of life, which is commendable, if one looks it from his side.
Summing up, I would say this movie has a lot of lessons for Indians. Here is Julian Adams the great-grandson of Robert Adams who produced, wrote and starred in the film. Look at our country, the first film about Mahatma Gandhi was produced, directed and acted out by foreigners. Till date no descendant of Prithviraj Chauhan, Maharana Prathap, Chattrapathi Shivaji or any other Indian Hero has ever bothered to sponsor/ produce any movie to tell the true story of their ancestor. Robert Adams is no historical figure in the US, but now thanks to this movie, his place in the popular perception has been created.
Indian film directors make movies showcasing the glories of people who invaded and plundered our country, killed our people and attempted to destroy our culture, traditions and religion. The most glaring example of recent times would be Jodha-Akbar starring Hrithik Roshan and Aishwarya Rai. I wonder if our people will ever become enough patriotic and aware of our country and strive to create an honorable place for its heroes in the popular perception. Yes some movies have been made such as few about Shaheed Bhagat Singh, but this is simply not enough.
One thing about Europeans and Euro-Americans (White people in the US) that continues to leave me awed is their ability to take up even the most trivial incident and tell a hugely successful story which will subtly enhance their image in front of the world. The Last Confederate is a movie which showcases the true story of American Civil War Hero Robert Adams is a similar effort.
The movie is set in a period just before the start of the American Civil War and narrates the story of the life of Robert Adams, during the civil war years. The story portrays the passion, courage and love of the protagonist for his land, people and way of life. Robert is a southern planter who enjoys the good life, served by slaves, meandering from one party to another, supervising agriculture, riding fine horses, etc. He wants to continue leading the same life like the greater part of the southern white population. He falls in love with beautiful Eveline, a teacher from the North (Pennsylvania) and wants to marry her.
But with the federal government abolishing slavery the southern states decide to secede which leads to the Civil War. Robert Adams passionate about his land, lifestyle and people decides to enter into the fray and is recruited as captain of the Confederate forces. During the course of the war he is captured and imprisoned, but manages to escape and reunite with his love for a brief period. He reenters the battles and fights till the end of the war and emerges as the only surviving confederate soldier (at least according to the movie), thanks to the pity of a Union soldier who just fires in the air and lets him go.
If one were to watch the movie without bothering about any historical knowledge/ perspective, then this is a brilliant story and one can't help but become a great admirer of Robert Adams. But I am a big time skeptic, so when I watch any movie I examine the story, narration and characters with an array of lenses. Ideologically speaking this movie is a sham, for one thing the makers of this movie are glorifying a man who fought for slavery. What can be a bigger insult to democracy and equality than this? Then what is great about Robert Adams? He fought for Confederates to protect his land, which his fore-fathers and millions of other white people illegally, inhumanly and unethically usurped from native American tribes. He fought to protect his family and to have the freedom to continue to lead the same way of life, which is commendable, if one looks it from his side.
Summing up, I would say this movie has a lot of lessons for Indians. Here is Julian Adams the great-grandson of Robert Adams who produced, wrote and starred in the film. Look at our country, the first film about Mahatma Gandhi was produced, directed and acted out by foreigners. Till date no descendant of Prithviraj Chauhan, Maharana Prathap, Chattrapathi Shivaji or any other Indian Hero has ever bothered to sponsor/ produce any movie to tell the true story of their ancestor. Robert Adams is no historical figure in the US, but now thanks to this movie, his place in the popular perception has been created.
Indian film directors make movies showcasing the glories of people who invaded and plundered our country, killed our people and attempted to destroy our culture, traditions and religion. The most glaring example of recent times would be Jodha-Akbar starring Hrithik Roshan and Aishwarya Rai. I wonder if our people will ever become enough patriotic and aware of our country and strive to create an honorable place for its heroes in the popular perception. Yes some movies have been made such as few about Shaheed Bhagat Singh, but this is simply not enough.
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The last confederate
Thursday, October 15, 2009
Movie Review: Talladega Nights: The Ballad of Ricky Bobby
Year of Release: 2006
Genre: Comedy
Director: Adam McKay
Cast: Will Ferrell, John C Reilly, Gary Cole and others
If you are not first then you are last -Reese Bobby.
Young Ricky Bobby is waiting for his father to show up for the school's career day and talk about what he does. All other kids parents come and talk about their jobs but not Ricky's dad. After a while a totally stoned-on-pot Reese Bobby arrives and starts talking about his job: Part time racing driver and pot dealer. He makes a nuisance of himself and is thrown out of the school. As he leaves the school he advises his son: "If you are not the first then you are last". A statement that stays with Ricky.
When a quirk of fate gives him a chance to drive on the racetrack, he remembers his dads words and wins at all costs. Soon Ricky Bobby becomes a NASCAR stock car racing sensation and a national hero. Along with his loyal racing partner, childhood friend Cal Naughton Jr., call themselves the "Shake" and "Bake" team and always come finish in the #1 and #2 positions.
When everything is going fine flamboyant (gay) French Formula One driver Jean Girard arrives on the scene and challenges the "Shake" and "Bake" team. In the first race Ricky crashes and becomes a nervous wreck. The crash not only makes him lose his health, but also his career, wife and home to his best friend Cal. Devastated he moves in with his mom and starts delivering pizzas on a bicycle.
Reese Bobby once again enters the scene and helps Ricky get out of his nervous breakdown and hit the race track again, where he wins his title, fame and money.
The entire movie is one hell of a comedy with a number of amazing car races thrown in. Dialogues of Reese Bobby and his grand children are funny. Ricky's experience with the Cougar and his driving test all make it one entertaining film. Definitely worth watching once.
Genre: Comedy
Director: Adam McKay
Cast: Will Ferrell, John C Reilly, Gary Cole and others
If you are not first then you are last -Reese Bobby.
Young Ricky Bobby is waiting for his father to show up for the school's career day and talk about what he does. All other kids parents come and talk about their jobs but not Ricky's dad. After a while a totally stoned-on-pot Reese Bobby arrives and starts talking about his job: Part time racing driver and pot dealer. He makes a nuisance of himself and is thrown out of the school. As he leaves the school he advises his son: "If you are not the first then you are last". A statement that stays with Ricky.
When a quirk of fate gives him a chance to drive on the racetrack, he remembers his dads words and wins at all costs. Soon Ricky Bobby becomes a NASCAR stock car racing sensation and a national hero. Along with his loyal racing partner, childhood friend Cal Naughton Jr., call themselves the "Shake" and "Bake" team and always come finish in the #1 and #2 positions.
When everything is going fine flamboyant (gay) French Formula One driver Jean Girard arrives on the scene and challenges the "Shake" and "Bake" team. In the first race Ricky crashes and becomes a nervous wreck. The crash not only makes him lose his health, but also his career, wife and home to his best friend Cal. Devastated he moves in with his mom and starts delivering pizzas on a bicycle.
Reese Bobby once again enters the scene and helps Ricky get out of his nervous breakdown and hit the race track again, where he wins his title, fame and money.
The entire movie is one hell of a comedy with a number of amazing car races thrown in. Dialogues of Reese Bobby and his grand children are funny. Ricky's experience with the Cougar and his driving test all make it one entertaining film. Definitely worth watching once.
Monday, October 12, 2009
Movie Review: Appaloosa
I watched this Western set in New Mexico in the late 19th century (around 1880s). Based on a novel by Robert B. Parker, Appaloosa has all the elements that are in Westerns: stunning photography, friendship, romance, betrayal, gun fights, horse riding, etc. But this has a little twist, there is a little politics which involves high powered people no less than the President of United States, himself.
Refreshingly in this movie there is not much "Native American Battering". There is only one brief scene when a group of natives attack the bad guys. But we will talk about it later. One thing I still don't understand about people here. Even in this day and age (Appaloosa was shot in 2008), they want to present Native Americans as Indians. I wonder when these people will understand that Indians are the peoples from the country of India. These tribals here are Native Americans
Let us get on with the movie now. Set in the city of Appaloosa, the movie starts with a cold blooded murder of a sheriff and his two deputies by a private rancher and settler Randall Bragg. The town's folk are worried about this and call in the deadly duo Virgil Cole (Ed Harris) and his partner Hitch (Viggo Mortensen). Two expert gunmen who are lawmen for hire, they help towns enforce law and tackle their lawless folk.
Barely have they settled in than a beautiful women named Alison French (Renee Zellwigger) alights from the train. Quite expectedly, Cole falls madly in love with her and she seems to reciprocate. But Allison is not the typical girl-next-door, she is one scheming individual who always wants to be the top-man's partner. This leads to loads of complications in the lawmen's work.
The rest of the movie is a tale of deception, gun fights, courts and how anarchic the US was during the late 19th century. The scenario was like who shoots first lives. I wonder how it would be to live in such situations. Anyway I'd recommend the movie to anyone who is interested in westerns. Otherwise just pass it.
Refreshingly in this movie there is not much "Native American Battering". There is only one brief scene when a group of natives attack the bad guys. But we will talk about it later. One thing I still don't understand about people here. Even in this day and age (Appaloosa was shot in 2008), they want to present Native Americans as Indians. I wonder when these people will understand that Indians are the peoples from the country of India. These tribals here are Native Americans
Let us get on with the movie now. Set in the city of Appaloosa, the movie starts with a cold blooded murder of a sheriff and his two deputies by a private rancher and settler Randall Bragg. The town's folk are worried about this and call in the deadly duo Virgil Cole (Ed Harris) and his partner Hitch (Viggo Mortensen). Two expert gunmen who are lawmen for hire, they help towns enforce law and tackle their lawless folk.
Barely have they settled in than a beautiful women named Alison French (Renee Zellwigger) alights from the train. Quite expectedly, Cole falls madly in love with her and she seems to reciprocate. But Allison is not the typical girl-next-door, she is one scheming individual who always wants to be the top-man's partner. This leads to loads of complications in the lawmen's work.
The rest of the movie is a tale of deception, gun fights, courts and how anarchic the US was during the late 19th century. The scenario was like who shoots first lives. I wonder how it would be to live in such situations. Anyway I'd recommend the movie to anyone who is interested in westerns. Otherwise just pass it.
Friday, October 9, 2009
Book Review: Online Journalism — A Basic Text
Internet Journalism made simple
Online Journalism — A Basic Text by Tapas Ray; Foundation Books; Price: Rs.250 ($5); 266 pp.
With over 1.2 billion people surfing on the world wide web everyday, it is only a matter of time before news reporting and journalism also go online. Widely acknowledged as the future of the news media worldwide, online journalism is the most interactive news medium ever invented; that’s its USP (unique selling proposition). According to one school of thought as internet access prices fall, the decline of newspapers and television news media is inevitable. Youth, especially in technologically advanced countries, are increasingly ditching conventional news media and logging onto the world wide web to surf online news portals, because they want more than news. They want interactivity, to respond immediately.
According to a survey report of the Paris-based World Association of Newspapers (WAN), during 1995-2003 the annual circulation of print newspapers fell by 5 percent in America, 3 percent in Europe and 2 percent in Japan. According to WAN projections, if this decline continues, by the year 2040 daily newspapers will cease to exist in the print form. WAN also estimates that in the not too distant future, online operations of global news corporations will be more important than print.
In India the scenario is slightly different. Though the internet as a news medium is relatively new and untested, almost all major newspapers have started providing downloadable versions of newspapers. This is because conventional wisdom in the country is that journalism on the net is the same as in print, differing only in presentation. In short, online journalism is nascent — if not unknown — in India.
Against this backdrop of the growing popularity of the internet as the new news medium, Tapas Ray’s Online Journalism — A Basic Text, which introduces the internet to journalists and advises them on how to use it proficiently, is timely and welcome. The 12-chapter compendium introduces the reader to the mind-boggling possibilities of net journalism. Starting with the history of the net which took shape from ARPAnet in 1961-62 in the Massachussetts Institute of Technology and the Pentagon, this textbook morphs into a how-to manual covering web authoring and publishing, revenue generation within the law, ethics and a peek into the future as media converge and broadband access is universalised.
"In this book I discuss, among other things, what news organisations are doing in practice as against the things that can be accomplished with the internet, since this medium has unique characteristics that take it beyond the print and broadcast media in certain ways," writes Ray, an electronics engineering graduate of IIT-Kharagpur who pressed on to acquire a Masters degree and doctorate in communications at Ohio University. Ray is currently the director of Umeschandra College, Kolkata and also visiting faculty at Jadavpur University.
For print journalists aspiring to go online, the most interesting chapters are ‘Annotative Reporting and Open-source Journalism’, and ‘Computer Assisted Journalism or Reeporting (CAJ/ CAR)’. In these chapters Ray details ways and means to use the net as an effective medium of communication for the mass media. Likewise the chapter titled ‘Preparing Online Packages’ will prove useful for journalists who wish to plan, code, write programs and design their own webpages with the objective of broadening their readership base.
The chapter titled ‘Revenue, Ethics and Law’ is a must-read for all those who are currently managing online news sites as also those who want to promote new ones. Ray discusses in detail the various subscription revenue models of news publications such as the Albuqurque Journal, Business 2.0, Winnipeg, and the Times, London. In terms of advertising revenue, the author predicts that by the year 2007, 4.4 percent of all global advertising revenue will be generated from online space sales. The book also provides an overview of advertising and marketing techniques being successfully used to generate all important revenue.
Summing up, Online Journalism is recommended reading for media entrepreneurs, traditional media publishers anxious to get onto the internet as also for journalists aspiring to careers in web publishing enterprises which are recording a 22 percent rate of annual growth.
Online Journalism — A Basic Text by Tapas Ray; Foundation Books; Price: Rs.250 ($5); 266 pp.
With over 1.2 billion people surfing on the world wide web everyday, it is only a matter of time before news reporting and journalism also go online. Widely acknowledged as the future of the news media worldwide, online journalism is the most interactive news medium ever invented; that’s its USP (unique selling proposition). According to one school of thought as internet access prices fall, the decline of newspapers and television news media is inevitable. Youth, especially in technologically advanced countries, are increasingly ditching conventional news media and logging onto the world wide web to surf online news portals, because they want more than news. They want interactivity, to respond immediately.
According to a survey report of the Paris-based World Association of Newspapers (WAN), during 1995-2003 the annual circulation of print newspapers fell by 5 percent in America, 3 percent in Europe and 2 percent in Japan. According to WAN projections, if this decline continues, by the year 2040 daily newspapers will cease to exist in the print form. WAN also estimates that in the not too distant future, online operations of global news corporations will be more important than print.
In India the scenario is slightly different. Though the internet as a news medium is relatively new and untested, almost all major newspapers have started providing downloadable versions of newspapers. This is because conventional wisdom in the country is that journalism on the net is the same as in print, differing only in presentation. In short, online journalism is nascent — if not unknown — in India.
Against this backdrop of the growing popularity of the internet as the new news medium, Tapas Ray’s Online Journalism — A Basic Text, which introduces the internet to journalists and advises them on how to use it proficiently, is timely and welcome. The 12-chapter compendium introduces the reader to the mind-boggling possibilities of net journalism. Starting with the history of the net which took shape from ARPAnet in 1961-62 in the Massachussetts Institute of Technology and the Pentagon, this textbook morphs into a how-to manual covering web authoring and publishing, revenue generation within the law, ethics and a peek into the future as media converge and broadband access is universalised.
"In this book I discuss, among other things, what news organisations are doing in practice as against the things that can be accomplished with the internet, since this medium has unique characteristics that take it beyond the print and broadcast media in certain ways," writes Ray, an electronics engineering graduate of IIT-Kharagpur who pressed on to acquire a Masters degree and doctorate in communications at Ohio University. Ray is currently the director of Umeschandra College, Kolkata and also visiting faculty at Jadavpur University.
For print journalists aspiring to go online, the most interesting chapters are ‘Annotative Reporting and Open-source Journalism’, and ‘Computer Assisted Journalism or Reeporting (CAJ/ CAR)’. In these chapters Ray details ways and means to use the net as an effective medium of communication for the mass media. Likewise the chapter titled ‘Preparing Online Packages’ will prove useful for journalists who wish to plan, code, write programs and design their own webpages with the objective of broadening their readership base.
The chapter titled ‘Revenue, Ethics and Law’ is a must-read for all those who are currently managing online news sites as also those who want to promote new ones. Ray discusses in detail the various subscription revenue models of news publications such as the Albuqurque Journal, Business 2.0, Winnipeg, and the Times, London. In terms of advertising revenue, the author predicts that by the year 2007, 4.4 percent of all global advertising revenue will be generated from online space sales. The book also provides an overview of advertising and marketing techniques being successfully used to generate all important revenue.
Summing up, Online Journalism is recommended reading for media entrepreneurs, traditional media publishers anxious to get onto the internet as also for journalists aspiring to careers in web publishing enterprises which are recording a 22 percent rate of annual growth.
Labels:
Book Review,
Books,
English,
internet,
journalism,
Tapas Ray
Monday, October 5, 2009
Book Review: Story of the Delhi Iron Pillar
Enduring Mystery
Story of the Delhi Iron Pillar by R. Balasubramaniam; Foundation Books; Price: Rs.195; 140 pp.
Contrary to popular belief India was a major player in the global metallurgy industry long before the late J.N. Tata established the Tata Iron and Steel Co in Jamshedpur in 1907 and the London-based Laxmi Mittal started grabbing newspaper headlines around the world. It is arguable that Indian scientists and technologists were producing high-quality corrosion-resistant iron and steel as early as 400 AD. There is considerable evidence of the ingenuity of ancient India’s metallurgists in the form of permanent installations, museum exhibits and pillars installed in places of worship across the country. The most famous of these – one which has defied and confounded students and professors of metallurgy in India and abroad — is the 32 ft high pillar of rust-free iron sited contiguous to the 239 ft tall red sand stone — Qutb Minar — constructed by Qutb-ud-Din Aibak in 1199 AD to commemorate the victory of Mohammud Ghori over the Rajputs in 1192. And the wonder of this metallurgical marvel is that it has not rusted or succumbed to atmospheric corrosion despite being unprotected against the elements for over 1600 years. During the past two centuries since the existence of this wonder pillar was brought to public attention by British archaeologist James Prinsep in 1817, over 250 books have been written on this subject. The first systematic research was done by British metallurgist Sir Robert Hodfield in 1912, and since then several scientists from across the world have researched, presented papers and written books on the pillar.
The latest book on Delhi’s iron pillar is Prof. R. Balasubramaniam’s Story of the Delhi Iron Pillar — a simplified version of his earlier treatise on the subject titled Delhi Iron Pillar: New Insights which targeted metallurgy professionals, scholars and academics. Unlike the earlier book, this one is for lay readers, particularly higher secondary students. Its objective is to arouse student interest in history, metallurgy and archaeology and to encourage them to undertake fieldwork, self-study and research. “The iron pillar in Delhi fascinates scientists all over the world, due to its excellent resistance to atmospheric corrosion. This is an attempt to explain the story behind the pillar in a very simple manner, so that a lay reader can appreciate the history, science and technology of the iron pillar. In addition the artistic merit of the pillar is highlighted …It is sincerely hoped that the imagination, especially of the young readers, will be fired by the facts and ideas presented in this book,” writes Balasubramaniam.
The Story of the Delhi Iron Pillar traces the history of this metallurgical wonder and recounts that it was engineered in Udayagiri. The author reveals that the iron pillar was originally installed atop a hill near Udayagiri in the hinterland of Madhya Pradesh during the reign of Chandragupta II Vikramaditya (374-413 AD) of the Gupta dynasty. The original site of the pillar was the exact location where the imaginary line that is the tropic of cancer crosses India from where one can observe the sun rising in the east and setting in the west on spring and autumn equinox days. However in 1234 King Iltutmish (1210-36 AD) the third sultan of Delhi’s slave dynasty captured Udaygiri and transported the pillar to Delhi as part of his victory booty.
That the Delhi iron pillar is indeed an engineering marvel was conceded by the president of the Institute of Mechanical Engineers, London who remarked in 1851: “While considering forging of large masses of iron and steel, it is not easy to forget the impression caused by first seeing the iron pillar at Delhi. This column of wrought iron… is finished perfectly round and smooth, with an ornamental top, and was made many centuries ago from iron produced direct from ore and built up piece by piece. Remembering the lack of facilities men had in those days for first forging and then welding together such an enormous mass, makes one wonder at the iron worker of those days who must have possessed engineering ability claiming the admiration of our times. It is questionable whether the whole of the iron works of Europe and America could have produced a similar column of wrought iron so short a time ago as the exhibition of 1851”. The incumbent professor of materials and metallurgical engineering at IIT-Kanpur, Balasubramaniam also unravels the mystery of the amazing durability of Delhi’s iron pillar. According to him unnamed engineers of that era used the film forming quality of phosphoric acid to create a thin protective layer of ‘misawite’, a compound of iron, oxygen and hydrogen to prevent rusting and corrosion. This protective film encapsulated the pillar within three years after its erection and has been growing imperceptibly since. Today 1,600 years later, the film is of a thickness of one-twentieth of a millimeter. Story of the Delhi Iron Pillar is well structured into five sections — Introduction, History of the Iron Pillar, Structural Features of the Pillar, Manufacturing Methodology and The Pillar’s Resistance Corrosion — each offering a different perspective of this engineering marvel. Written as a simple, easy-to-comprehend narrative, the book is useful for history and science teachers to plan supplemental lesson plans, as also for secondary school students interested in history/ metallurgy.
Quite obviously ancient India’s universities and institutes of learning had well-developed research and learning capabilities. But during the next millennium this research and scholastic tradition was lost. And in post-independence India when prime minister Nehru reserved the steel and metallurgy industries for the clerical cadres of the public sector, this capability was lost further. Fortunately this lost knowledge is being recovered slowly through the initiatives of entrepreneurs such as Laxmi Mittal and Anil Aggrawal (of Vedanta). Although they may not know it, they are heirs to a great tradition.
Story of the Delhi Iron Pillar by R. Balasubramaniam; Foundation Books; Price: Rs.195; 140 pp.
Contrary to popular belief India was a major player in the global metallurgy industry long before the late J.N. Tata established the Tata Iron and Steel Co in Jamshedpur in 1907 and the London-based Laxmi Mittal started grabbing newspaper headlines around the world. It is arguable that Indian scientists and technologists were producing high-quality corrosion-resistant iron and steel as early as 400 AD. There is considerable evidence of the ingenuity of ancient India’s metallurgists in the form of permanent installations, museum exhibits and pillars installed in places of worship across the country. The most famous of these – one which has defied and confounded students and professors of metallurgy in India and abroad — is the 32 ft high pillar of rust-free iron sited contiguous to the 239 ft tall red sand stone — Qutb Minar — constructed by Qutb-ud-Din Aibak in 1199 AD to commemorate the victory of Mohammud Ghori over the Rajputs in 1192. And the wonder of this metallurgical marvel is that it has not rusted or succumbed to atmospheric corrosion despite being unprotected against the elements for over 1600 years. During the past two centuries since the existence of this wonder pillar was brought to public attention by British archaeologist James Prinsep in 1817, over 250 books have been written on this subject. The first systematic research was done by British metallurgist Sir Robert Hodfield in 1912, and since then several scientists from across the world have researched, presented papers and written books on the pillar.
The latest book on Delhi’s iron pillar is Prof. R. Balasubramaniam’s Story of the Delhi Iron Pillar — a simplified version of his earlier treatise on the subject titled Delhi Iron Pillar: New Insights which targeted metallurgy professionals, scholars and academics. Unlike the earlier book, this one is for lay readers, particularly higher secondary students. Its objective is to arouse student interest in history, metallurgy and archaeology and to encourage them to undertake fieldwork, self-study and research. “The iron pillar in Delhi fascinates scientists all over the world, due to its excellent resistance to atmospheric corrosion. This is an attempt to explain the story behind the pillar in a very simple manner, so that a lay reader can appreciate the history, science and technology of the iron pillar. In addition the artistic merit of the pillar is highlighted …It is sincerely hoped that the imagination, especially of the young readers, will be fired by the facts and ideas presented in this book,” writes Balasubramaniam.
The Story of the Delhi Iron Pillar traces the history of this metallurgical wonder and recounts that it was engineered in Udayagiri. The author reveals that the iron pillar was originally installed atop a hill near Udayagiri in the hinterland of Madhya Pradesh during the reign of Chandragupta II Vikramaditya (374-413 AD) of the Gupta dynasty. The original site of the pillar was the exact location where the imaginary line that is the tropic of cancer crosses India from where one can observe the sun rising in the east and setting in the west on spring and autumn equinox days. However in 1234 King Iltutmish (1210-36 AD) the third sultan of Delhi’s slave dynasty captured Udaygiri and transported the pillar to Delhi as part of his victory booty.
That the Delhi iron pillar is indeed an engineering marvel was conceded by the president of the Institute of Mechanical Engineers, London who remarked in 1851: “While considering forging of large masses of iron and steel, it is not easy to forget the impression caused by first seeing the iron pillar at Delhi. This column of wrought iron… is finished perfectly round and smooth, with an ornamental top, and was made many centuries ago from iron produced direct from ore and built up piece by piece. Remembering the lack of facilities men had in those days for first forging and then welding together such an enormous mass, makes one wonder at the iron worker of those days who must have possessed engineering ability claiming the admiration of our times. It is questionable whether the whole of the iron works of Europe and America could have produced a similar column of wrought iron so short a time ago as the exhibition of 1851”. The incumbent professor of materials and metallurgical engineering at IIT-Kanpur, Balasubramaniam also unravels the mystery of the amazing durability of Delhi’s iron pillar. According to him unnamed engineers of that era used the film forming quality of phosphoric acid to create a thin protective layer of ‘misawite’, a compound of iron, oxygen and hydrogen to prevent rusting and corrosion. This protective film encapsulated the pillar within three years after its erection and has been growing imperceptibly since. Today 1,600 years later, the film is of a thickness of one-twentieth of a millimeter. Story of the Delhi Iron Pillar is well structured into five sections — Introduction, History of the Iron Pillar, Structural Features of the Pillar, Manufacturing Methodology and The Pillar’s Resistance Corrosion — each offering a different perspective of this engineering marvel. Written as a simple, easy-to-comprehend narrative, the book is useful for history and science teachers to plan supplemental lesson plans, as also for secondary school students interested in history/ metallurgy.
Quite obviously ancient India’s universities and institutes of learning had well-developed research and learning capabilities. But during the next millennium this research and scholastic tradition was lost. And in post-independence India when prime minister Nehru reserved the steel and metallurgy industries for the clerical cadres of the public sector, this capability was lost further. Fortunately this lost knowledge is being recovered slowly through the initiatives of entrepreneurs such as Laxmi Mittal and Anil Aggrawal (of Vedanta). Although they may not know it, they are heirs to a great tradition.
Labels:
Asia,
Book Review,
Delhi Iron Pillar,
English,
history,
Madhya Pradesh,
Metallurgy,
Udayagiri
Thursday, October 1, 2009
Book Review: Long Way Round – Chasing Shadows across the World
Saga of Motorcycle Adventure
Long Way Round – Chasing Shadows across the World by Ewan McGregor and Charley Boorman; TimeWarner books; 312 pp
There is something about Men and Motorcycles, it is a fatal attraction that refuses to die out with age. An infatuation which remains for ever. The two-wheeled steed attracts the man like flowers attract a bee. Sometimes this attraction is a stronger draw than that of the female species. During the recent past there have been a handful of women who have been bitten by the two-wheeled bug and adventure travel insect. But still it is more common to see men strapping up their things, gassing up their motorcycles and heading out into the wild to explore the world. The book under review Long Way Round tells the story of two such men who despite being famous Hollywood stars decide to break away and live their passions.
Long Way Round (LWR) by UK-based Hollywood actors and motorcycle aficionados Ewan McGregor and Charley Boorman also available as a movie in DVD, is a first-hand account of an ambitious motorcycle odyssey across the world from London to New York through Europe, Asia and North America. Presented as a diary of events recorded before, during and after the journey by the two actors, LWR is distinguishable from normative travelogues and its technique of interplaying both stars’ varying experiences and feelings as they hit roads and adventure around the world, is quite appealing.
Comprising 12 chapters, two appendices and interspersed with maps and glossy colour pictures of fascinating locales, LWR chronicles the duo’s experiences, observations and ruminations as they journey across Europe, Ukraine, Kazakhstan, Mongolia, Russia, across Bering Straits into Alaska, down through Canada, finally ending back home in the US.
Some of their notable easy rider style escapades include being chased by paparazzi in Kazakhstan, being accosted by gun-toting militia in Ukraine, harassed by the police everywhere and served bulls’ testicles for supper by Mongolian nomads. And yet despite all trials and tribulations they sped over 20,000 miles (35,000 km) in four months, a journey which according to the authors has changed their lives forever. Despite exhaustion and round-the-clock excitement, the authors have meticulously documented, photographed and video shot their encounters and experiences and produced a highly entertaining travelogue in two media.
On the down side McGregor’s endless whining about being away from his wife and kids is annoying. On a round-the-world journey anyone would miss his family, and surely there’s no need to harp on this theme in almost every chapter of the book.
LWR is especially invigorating for dyed-in-the-wool biking buffs in India, most of whom dream of hitting the road and circumnavigating the world. The authors’ can-do determination to traverse tarmac, stones, mud, water and often barely discernable paths to attain their mission is admirable. It drives home the point that beyond romantic notions of inter-continental road travel, great journeys require substantial reserves of perseverance, determination and guts-and-glory hard slog. The actor duo repeatedly detail experiences of common folk who didn’t have a clue of their star status spontaneously coming forward to help them. It’s enough to restore one’s faith in humanity and the brotherhood of man.
Long Way Round – Chasing Shadows across the World by Ewan McGregor and Charley Boorman; TimeWarner books; 312 pp
There is something about Men and Motorcycles, it is a fatal attraction that refuses to die out with age. An infatuation which remains for ever. The two-wheeled steed attracts the man like flowers attract a bee. Sometimes this attraction is a stronger draw than that of the female species. During the recent past there have been a handful of women who have been bitten by the two-wheeled bug and adventure travel insect. But still it is more common to see men strapping up their things, gassing up their motorcycles and heading out into the wild to explore the world. The book under review Long Way Round tells the story of two such men who despite being famous Hollywood stars decide to break away and live their passions.
Long Way Round (LWR) by UK-based Hollywood actors and motorcycle aficionados Ewan McGregor and Charley Boorman also available as a movie in DVD, is a first-hand account of an ambitious motorcycle odyssey across the world from London to New York through Europe, Asia and North America. Presented as a diary of events recorded before, during and after the journey by the two actors, LWR is distinguishable from normative travelogues and its technique of interplaying both stars’ varying experiences and feelings as they hit roads and adventure around the world, is quite appealing.
Comprising 12 chapters, two appendices and interspersed with maps and glossy colour pictures of fascinating locales, LWR chronicles the duo’s experiences, observations and ruminations as they journey across Europe, Ukraine, Kazakhstan, Mongolia, Russia, across Bering Straits into Alaska, down through Canada, finally ending back home in the US.
Some of their notable easy rider style escapades include being chased by paparazzi in Kazakhstan, being accosted by gun-toting militia in Ukraine, harassed by the police everywhere and served bulls’ testicles for supper by Mongolian nomads. And yet despite all trials and tribulations they sped over 20,000 miles (35,000 km) in four months, a journey which according to the authors has changed their lives forever. Despite exhaustion and round-the-clock excitement, the authors have meticulously documented, photographed and video shot their encounters and experiences and produced a highly entertaining travelogue in two media.
On the down side McGregor’s endless whining about being away from his wife and kids is annoying. On a round-the-world journey anyone would miss his family, and surely there’s no need to harp on this theme in almost every chapter of the book.
LWR is especially invigorating for dyed-in-the-wool biking buffs in India, most of whom dream of hitting the road and circumnavigating the world. The authors’ can-do determination to traverse tarmac, stones, mud, water and often barely discernable paths to attain their mission is admirable. It drives home the point that beyond romantic notions of inter-continental road travel, great journeys require substantial reserves of perseverance, determination and guts-and-glory hard slog. The actor duo repeatedly detail experiences of common folk who didn’t have a clue of their star status spontaneously coming forward to help them. It’s enough to restore one’s faith in humanity and the brotherhood of man.
Labels:
adventure,
Book Review,
Charley Boorman,
Ewan McGregor,
Long way Round,
Motorcycling,
Travel
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